Saturday, 4 December 2021
THE GREATEST SHOW STAGED
Friday, 3 December 2021
SIDDHAS IN OUR AMAZING WORLD
I used to read a lot and I had tried everything I read. I read books on art as I loved drawing and painting. I put to use the techniques learned. Then I picked up books on Indian customs and religion. I adapted them in my life. I read about health and followed every tip given. I invested my money in health products and took all the food that was claimed to do good. My attention then turned to Yoga. I tried all the methods and practices shown in books. I then began to perform puja at home while continuing my visits to the temples in the vicinity. I included every mantra that I came across in my puja.
This was how I spent my after-office hours as a bachelor in a lazy coastal town back in the eighties. In the office, a few seniors and I would exchange the things we read. Then in 1988, I had a dream that put a stop to all my activities. At the same time, I was transferred back to my HQ in the capital city. I refrained from all my previous activities. Even after my marriage the following year, I did nothing towards continuing these activities except occasionally I would take my family to the temple for their sake. In 1996, interest in seeing the horoscope was rekindled when an officemate used to talk about it. I came to know Dr.Krishnan, a Siddha physician, and astrologer. He was the first one to speak about the Nadi. But it did not kindle my interest then. When my second daughter was born in 1998, I became a vegetarian for no particular reason. In 2001, a great revival took place. I returned to worship the Gods and Goddesses as my nephew brought me a message, a mantra, and a painting from his lineage of gurus. The following year, I read the Nadi when interest came over me after my colleague spoke about his experience in seeing it two years earlier. That reading set my life on the path of the Siddhas.
Searching for information on the Siddhas had me buy and read books about them. I had a renewed interest in religion and spirituality. I began to frequent the national library with my family. I began to read again. I gathered all the songs of praise to the Siddhas, that I came across in all these books, compiled them, and used them to sing during my home puja. My search took me to search on the net too. In all my readings the Siddhas were shown to be superhuman beings capable of doing Siddhis or simply said, magic in our eyes. They were made out to be living in another realm that was out of reach to us. Reading about them in these books and the net could not connect us with them. They seem to be fictitious characters from a comic book, literally unbelievable. They were made out to be so alien. The writings on the pages from these books and articles on the net were dry and too academic. My interest was not in who they were and how they lived but in the method and practice of worship to them. Since Agathiyar had specifically told me in the Nadi to worship them, I scouted around for organizations that could be engaging in their worship. I was disappointed as they were either into doing charity, or meditation, or into Satsang debating endlessly on the supernatural aspect or the Siddhis and powers they had. I stopped frequenting them.
After my first Nadi reading in 2002, I was solely on my own for the next four years trying to decipher the songs that I sang before them. Though I had come to know Supramania Swami, my first guru, he was not into Siddha worship. He had 5 gurus including his father, Jayaram Pillai, Poondi Mahan, Kollimalai Swami, Sadhanantha Swami, and Yogi Ramsuratkumar. He showed me Guru Bakti or devotion to the Guru. In 2005, Agathiyar send Tavayogi to our shores to fulfill the longing I had. Tavayogi worshipped the Siddhas. He had gurus in the form of Chitramuthu Adigal and his guru Jeganatha Swami. He took me on a journey of discovery of the Siddhas, not from books but walking through the jungles and staying in caves that were naturally the abode of the Siddhas. Today I understand that the Siddhas who are very much a part of nature are in the Prapanjam. They take a form to meet us for the sole reason that we are not tuned to receive the vibrational energies that exist in these places. The Siddhas materialize easily in our time-space if and when there is a need or an SOS call goes out to them. The songs of praise to the Siddhas are the instrument to bring them over. The rituals bridge both worlds. The yantras, tantras, and mantras all do a similar thing. With sincere devotion to the ritual or act on hand, we can easily get them to manifest before us either with a form or as vibrational energy. I have written much about these energies prevalent in the pilgrimage spots that one can connect to in several of my earlier posts.
If Agathiyar and Tavayogi brought us to carry out rituals and see them in the statues initially, the Siddhas soon came as energies to sit among us and witness these rituals. Having stayed faithfully on the path of the Siddhas, we realize that all the hocus pocus and mystery that surrounds the Siddhas are uncalled for. Today instead of giving momentary darshan or exciting us with visions of them, they connected us to the Prapanjam where we imbibe the bliss of their vibrations that encompasses all of creation. We have begun to see creation as vibration. Now I understand why Tavayogi replied to my wish to see Agathiyar and Ramalinga Adigal with another question "Is that what you want?"
In the documentary "Inner Worlds and Outer Worlds" (IW&OW) we are told, "The ancient Vedic teachers taught Nada Brahma, the universe is vibration. The vibratory field is at the root of all spiritual experiences and scientific investigations. It is the same field of energy that saints, buddhas,... yogis have observed by looking within themselves. It is called by various names... Primordial AUM or Om. It is the common root of all religions and the link between our inner worlds and the outer worlds." Tavayogi in speaking about the origin of all of creation from the one source, too mentions it as AUM or Om. What appears out there in the Andam is similarly seen to exist in the Pindam he adds.
Agathiyar told us he was in us and all of creation as vibration or அதிர்வு. Tavayogi in giving us an idea of how creation took place in his book "Andamum Pindamum" and "Atma Thathuvam", quotes Supramaniar Gnanam 32, where it is revealed that in the beginning, a sound emerged in the Paraparam. This first vibrational state that created this sound was known as Akaaram. The second state that prolonged and sustained this first sound came to be called Ukaaram. Maakaaram was the final state that contained these vibratory sounds. The three came together as "that", which was to become the source of all creation, known as AUM.
"ஆதியிலே பரா பரத்திற் பிறந்த சத்தம்" என்ற வரியின் மூலம் முதன் முதலிலே ஒலி தோன்றியது. ஒலி உண்டாவதற்கு உரிய முதல் அதிர்வு நிலையே அ காரம் எனப்படுவது. இரண்டாவது அதிர்வு நிலை நீடிப்புக்கு உ காரம் எனப் பெயரிட்டனர். மேற்கண்ட இரண்டு அதிர்வு நிலைகளையும் ஒரு எல்லைக் கோட்டிற்குள் காத்து நிற்கும் அதிர்வு நிலையை ம காரம் எனப் பெயரிட்டனர்.
ஆகவே அண்டத்தில் ஏற்பட்ட மூலமான அ, உ, ம என்ற மூன்றும் சேர்ந்து அண்டத்தை இயக்குகிறது. அதேபோல் பிண்டத்தில் ஏற்படுகின்ற அ, உ, ம அதிர்வு நிலையால் சரீரம் இயங்குகின்றது.
அண்டங்கள், பிண்டங்கள், பேரண்டங்கள், பிரபஞ்சங்கள் அத்துனைக்கும் மூலகர்த்தாவாக இயங்குகின்ற அ, உ, ம சேர்வே ஓம் என்ற பிரணவம் ஆகும். ஓம் என்கின்ற பிரணவம் தான் ஆதி என்பதும், அந்த ஆதி வஸ்துவே உலகமெல்லாம் நிறைந்து நிர்கின்ற ஆதி சக்தி. அந்தச் சக்தியே எங்கும் செயல்படுகின்றது. முதலும் முடிவுமாக இருப்பது ஓங்காரம்தான். இந்த ஓங்காரத்திலே இருந்துதான் எழுவகை பிறப்பு உண்டாயிற்று. இந்தப் பிரபஞ்ச மூல ஆற்றலானது ஆதியிலே பிரிக்க முடியாத ஆதி அணூ பரமாணு ஆகும்.
As Tavayogi explained about the AUM, we are told in the documentary that "Akasha or space exists simultaneously with vibration. If Akasha is Ying, Prana is Yang."
The principle factor that drives the universe, cosmos, and consciousness is A U, M that takes the form and sound of the pranavam. From https://www.ananda.org/yogapedia/aum/ we learn the same that "AUM is the vibration by which the Supreme Spirit brings all things into manifestation." Paramahansa Yogananda has explained that everything - all matter, all energy, all thoughts - exists in AUM. We read further that "AUM, therefore, encompasses the three vibratory energies required to create, preserve, and destroy, and each of these energies vibrates at a different frequency. The three letters of AUM represent these three vibrations inherent in creation."
The documentary quotes the German writer Johann Wolfgang von Goethe as having said, "The wave is the primordial phenomenon that gave rise to the world." We are shown how gliding a bow of a violin on a metal plate, reassembles the sand placed on it into a pattern, and how water forms ripples and patterns when mantras are chanted into it.
From https://www.physicsclassroom.com/class/sound/Lesson-3/Reflection,-Refraction,-and-Diffraction we learn further.
Like any wave, a sound wave doesn't just stop when it reaches the end of the medium or when it encounters an obstacle in its path. Rather, a sound wave will undergo certain behaviors when it encounters the end of the medium or an obstacle. Possible behaviors include reflection off the obstacle, diffraction around the obstacle, and transmission (accompanied by refraction) into the obstacle or new medium.
So we realize that sounds create vibrations or rather move existing waves. From vibrations, a pattern and a form is created. If sound waves and the vibrations that result have the capacity to travel far and be heard, we can possibly comprehend the effects of our language and words used and the extent it travels. Maybe we ought to be careful what we say less it materializes and does harm. We become co-creators. We are an extension arm of the creator.
In the opening sequence of the documentary, we read a quote from William Blake, "See a world in a grain of sand and see a heaven in a wild flower." We learn further from IW&OW that, "The smallest stream of light contains the pattern of the whole" like dew on a spider's web. "It is as if there has been an invisible dancer, a shadow dancer hidden in the belly of the universe. All the other dancers have always danced around this hidden dancer."
Do we see a resemblance to the dance of Shiva?
We need only open our eyes to the beauty of creation all around us and its dance. We need only tune in with this dance to savor the calm, peace, and bliss that prevails within creation. Though creation seems chaotic and messy, there is a certain beauty, pattern, and design in it.
If there is a call for a reset, this is how we should reset ourselves to bring awareness to all things present and appreciate the creativity that went into the making of this world of ours by the divine hand.
WALKING TALL
1. The Teacher who gives you information is called - Adhyapak2. The One who imparts Knowledge combined with Information is called - Upadhayaya3. The One who imparts skill is - Acharya4. The One who is able to give deep insight into a Subject is called - Pandit5. The One who has a Visionary view on a subject and teaches you to think in that manner is called - Dhrishta6. The One who is able to awaken wisdom in you, leading you from Darkness to Light is a Guru.
In my opinion, a Student's progression from being under the tutelage of an Adhyapaka to the luminous proximity of the Guru is many lifetimes of singular journey.
In the same way, on the other hand, it's an equal arduous journey from being a Teacher of Information to an Awakener of Souls.
Seeing the powers his disciple was developing, and noting the extent of his devotion, Guhai Namasivaya thought to himself, "Day by day my disciple's knowledge is increasing. He should not be kept here any more. Let me test him one more time, and then I can send him to a place that will be appropriate for him."
Guhai Namasivaya was delighted with the way that his disciple handled the test. Guhai Namasivaya, feeling that delay would serve no useful purpose, responded to the song by saying, 'You can start right now'.
| Tavayogi and Mataji at AVM in 2010 |
| Tavayogi and Mataji with us in 2008 |
| Mataji Sarojini Ammaiyar |
Thursday, 2 December 2021
AVM AGATHIYAR MEETS THE EYE
As I was browsing the book rack in a store that sold prayer items, clothing, and other miscellaneous goods in my neighborhood town, looking for some more books to coach Tamil to my granddaughters I came across a book that carried the picture of Agathiyar.
I was surprised again to see AVM Agathiyar on yet another cover of a book sold there.
AVM Agathiyar has graced the covers of books, billboards, name cards, invitations, blogs, websites, and our own Cd album Agathiyar Geetham. I had compiled some of these pictures and posted them earlier.
Agathiyar is at the Eco City temple too.
A devotee "discovered" Agathiyar in another temple in Tapah and forwarded photos that he took of Agathiyar.
Although it gives us delight in seeing Agathiyar all around us there is more to this than meets the eye. In worshiping God and the Siddhas in a form please keep in mind that we have to transcend these too. The forms and names are required to make us understand the concept of the all-pervading god initially. Once we get connected to them through mantras, yantras, and the murthi we need to drop seeing them externally and take notice and become aware of these energies internally. The breath is a good place to start just as when we learn the alphabet we start with a, b, c, and in learning music we begin with do, re, mi. Taking notice and bringing our awareness to the breath we strengthen this with awareness of this body in performing asanas. If performing rituals like homam had cleared the air around us these yogic practices clear the "house" of obstacles and blockages as in the household plumbings. Taking purgatives like Agathiyar Kuzhambu cleans the "house" as in doing spring cleaning. We are now ready to go within. In sitting alone in solitude all our desires, wants, and thoughts that move us to act come to a standstill. With the fire of meditation, the last remaining desires are burnt too. No fresh karma is earned or added on. The divine then comes within. We become him and he becomes us. The individual's role in the divine's play comes to a close. Staging the play the divine comes just before the finale and plays the role taking over from us. All efforts too come to a standstill when the divine comes within. It is time to partake in the ambrosia. It is the time of reward.
MOUNA GURU
Man attempts to approach spiritualism as if as in attending classes, seminars, and talks. Religion can be taught. But spiritualism has to be experienced. Religion has dogmas, rules, do's and dont's to follow, etc. In spiritualism, we break free from all these limitations. Tavayogi once said that the spirit should be free to explore. We see this in a child. It knows no limitations. Neither does it know fear of the unknown.
It amuses me to see people pay to know spiritualism. In their desperation to reach out to god they are willing to believe and do everything. Just as a large crowd at a restaurant would mean to most that the food served was good, most of the time they act as herds of sheep scouting for places that are crowd pullers.
Spiritualism can only be known by self-inquiry. For a start, one might need guides in the form of books, talks, and a guru. But eventually, like a child who has learned to walk he should leave his hold on to these. Sadly we hold on to others to bring us to know god. God is not shown but realized within and without. Methods, doctrines help to a certain extent. Practice and discipline are crucial to seeing results. Then again if past karma stands in our way we do not see the results of such efforts. Here the guru and the rituals help remove them.
Tavayogi broke the camel's back. He tamed the wild horse. That was what Tavayogi did to me. He did not say things to please me. He hit me several times bringing me to a state of awareness, though I did not realize it at that time. The moment he stepped on our soil, he observed around and commented that people were hung to bakthi or devotion and temple worship. He asked us to come to Gnana. He saw people turn up to him and pour their troubles. He told me this was not sufferings but mere problems that could be solved with one's Arivu. When I fell at his feet before bidding farewell after our first meeting, he chided me for doing that. He told me only to fall at Agathiyar's feet. Again when I was driving him with my nephew behind the wheels, back to his place of stay while in Malaysia, after his brief visit to my home, he shot me down telling me I was living in Maya and believing that saffron-clad "Asamys" or godmen had a magic portion within their clothing. He told me in the face he had nothing to give me, but to look up to Agathiyar instead. Now we see the reason he did not have a following and the numbers. He made me shed my hold on gems and amulets that I wore telling me it was not necessary. He made me stand stark naked before him before he began to impart and fill me without my knowledge over the years I knew him. I was already emptied of my reading and knowledge prior to meeting him as I was living in a state of abstinence from all forms of worship and learning for 14 years. Tavayogi did not have me sit with him and preach the Siddha path to me. I had to pick it up from the video footage of the talks he gave during the festivals he held at his ashram and when he visited Malaysia several times. When I was with him, we used to sit in silence. I did not ask him questions as others did. He would occasionally say a thing or two as he passed by. I had to figure it out myself. I only came to understand them many years later after having similar experiences. He taught through silence and by giving us direct experiences. He took me to the abodes of the Siddhas to experience the presence of the Siddhas, to be in their midst, and to observe miracles. He was indeed Lord Dhakshanamurthi in form, speech, and action. Now I understand why the painting of the Lord came to me and I was asked to worship him in 2001. Now I understand what transcended at the many sannadhis of the Lord.
In the movie "Saguni" the lead character asks the guru what his problem was contrary to the gurus asking devotees. The reason being no one was listening to his talks. They propose and sell him a plan, repackaging and marketing his wares. They ask him to remain silent henceforth. Now the same devotees are surprised at their guru's silence and begin to yearn to hear him speak. The guru got their attention. Similarly, it is said that Lord Dhakshanamurthi would answer all the questions put forth by the four disciples of his. This went on for years and there seemed no end to questions. Finally, the Lord chose to remain quiet. Seeing their guru sitting still the devotees simply fell into a state of meditation. The Mouna guru teaches in silence. Bhagawan Ramana is said to do this too.
In an article on the net, we read,
As an individual begins to be liberated from the influence of the mind-stuff, the divine attributes of the atman or self manifest in the very subtle sheath of bliss (anandamaya kosham) that surrounds the soul (atman.). When the transformation of that very subtle part of the being has been given fully to the divine, the individual becomes literally a beacon of bliss-light. Simply being in the presence of such a being is uplifting. Such an elevated individual is often acknowledged as a saint.
Just as a lighted candle lights another, a true guru lights up the wick in devotees by merely being in their presence.
We have covered much ground traveling the path of the Siddhas.
- After the calling to read the Nadi (https://youtube.com/playlist?list=PLvUzM8981rWAPKG7T9SLyqqPt28ffZvd_)
- taking up the call to come to the path of the Siddhas or Siddha Margam,
- taking up the worship of the Siddhas (https://drive.google.com/file/d/1dp5hxfCGULlttFkbZo0j-5Et03tqqAw5/view?usp=sharing)
- going in search of the path (https://drive.google.com/file/d/1EzzCZFKoicCmpC2iUnRFpFcD38OzhJO9/view?usp=sharing)
- coming to the path with the coming of Tavayogi (https://drive.google.com/file/d/1O4rnaRcMKPbPfLdMxjssuoMQan-gD6fj/view?usp=sharing)
- traveling the path with the Siddhas (https://drive.google.com/file/d/1SIK2Lz2NIZ6Augc4QqpL9gHH70lWdMOp/view?usp=sharing)
we stand at what seems to be the end of the journey as for now.
The state of Puranam of completeness has to engulf and envelope us in totality. That is the state of the divine too. That is experiencing divinity in all of creation and in all things. He who reaches this state indeed is a Mouna guru.
Wednesday, 1 December 2021
L I F E SIMPLIFIED
Tuesday, 30 November 2021
OMG
The topography of the place you live in, I realise, subtly influences your moods, determining if you are going to be happy or sad. In my travels around the sacred places/sited that Bharathavarsha has, two things stood out very clearly - one is the intrinsic topography, including the soil quality, ground levels etc. and the next, the kind of people who inhabited the place in the past.Some of the sites I got to visit in the recent past, "exploded" with spiritual energy, even after the ones who inhabited it, were long dead and gone. Their power of tapas had infused every rock and stone reverberating with silent spiritual vibrations. It's just that your awareness or consciousness also has to be in tune with that range to experience what they have to offer freely.What makes a vacation and a pilgrimage different is the kind of energy you are already vibrating to, that makes it either a pleasant experience or an inner experiment in awakening.
This truth comes from one who has realized the truth. It is for this purpose that we are asked to or moved to undertake pilgrimages. But sadly it has turned out to be like any other vacation. The conversation that rings in our minds is carried out with others the moment we board the bus and continue into the sacred spaces that we step in. People fail to respect the sanctity of these sacred abodes. It is time we began to observe ourselves and conduct ourselves appropriately. We need to be always aware of ourselves and not carried away by the drive to speak. At times others tend to start the conversation first in the wrong places. It is our duty to correct them and shut them up. Then there are others who look for rituals to perform in these sacred places. Only this shall satisfy them and bring completeness to their tour of the place they believe.
Agathiyar says that no rituals are needed in such places. All he asks us to do is to sit quietly and tap the existing energy that reverberates in these places. By shutting down our senses, we become a receptacle to receive these energies. It might not happen the first time around or at the first place we visit but we shall come to realize it as we pursue.
Our minds are filled with thoughts 24/7. To save us from going cuckoo we sleep it off. But then many sleep on it carrying the thoughts with them into their sleep. A classic example of how thoughts influence us is seen in the movie "Oh My Kadavule". I just finished watching it. I loved the movie. If God gives you a chance to relive your life what would you want to be or do with it? Would you opt for this life or choose another? If we follow our thoughts making calculated moves are we assured of success in all our ventures? At times we might have thought if life would have been better if we had made a different choice or decided otherwise. God creates that space for the lead character to revise and relive his life. I too had so many options in life. If I had opted for something else my whole life would have been different. I would have met different people. I would have lived in a different place. I would have had entirely different experiences. The "I" could have made me make decisions that could have ruined my life. Not that I did not make wrong decisions in this life. But I was saved in all these moments. I was spared disgrace and humility. I was spared my life. Who was behind me or rather stood in front of me shielding me if it was not Agathiyar and the lineage of gurus? If Supramania Swami was my left eye Tavayogi was my right. Agathiyar was the third eye. They gave me sight and vision. When they rule the thoughts all shall be well. Ramalinga Adigal sings in his Arutprakasa Maalai that Lord Nadarajar walked the distance till his foot was sore and placed something in his palms. I cannot recall but I came to know that it was Agathiyar who came to his humble home and gave him two sweets or laddu. This sweet denoted Gnanam. I too was given two gurus who in turn gave me all their prized possessions. What more could one ask for?